There isn’t a ton of lyrical progression for La Flame on this album. Pitchfork is the most trusted voice in music. He happens to be the only one of those who's actually influenced one of his influences, as he produced and (probably) ghostwrote on Yeezus, and stylistically, he does seem to have magnetism and cachet that renders him more of his own entity. You can still see all customer reviews for the product. Bruh, this album is for hardcore Travi$ Scott fans, you can't even feel the energy if you're just another second hand listener. But on ‘Birds…’, Scott is in command and control of how everything and everyone sounds. On 2014's Days Before Rodeo, he managed the unlikely welding job of psychedelic rock to Metro Boomin, Young Thug, and Migos' New Atlanta, deftly showing those two boundary-pushing genres' similarities, namely their penchant for druggy soundscapes and introspection balanced with hedonism. By using this site, you agree to our: Travis Scott, Migos, Pusha T To Perform At GOOD Music Pop-Up Show In NYC Tonight, Vegas on acid, seen through Yves St. Laurent glasses, The bell melody towards the end of "The Ends" directly recalls the one on, On "Coordinate," Scott not only mimics Drake's "Cameras" on the hook, but also Desiigner's, The most obvious of them all: the unaltered lyrics from Cudi's "Day N Night" on "Through The Late Night", The lines "Why all you wanna do is the coco/Hangin' out with you is a no-go" on "Sweet Sweet" use the same melody as Drake's verses on "Hotline Bling", Not only were all of Travis' "Pick Up The Phone" parts, The "Guidance" instrumental is an unaltered rip of K. Forest's. Mostly, the album is about drug abuse in the early hours and the chaos that can ensue in the window between sunset and sunrise. The only downside was I preordered the CD version on here and it got delayed. Travis, on the other hand, took the already-finished "Pick Up The Phone" and "Guidance," deleted some vocals, added his own, and called it a day. Review: 21 Savage & Metro Boomin's Villainy Music Comes Bigger & Better With 'Savage Mode II', Review: Westside Gunn's Shady Records Debut 'Who Made the Sunshine' Has Inklings Of A Creative Genius, Review: YoungBoy Never Broke Again's ‘Top' Is His Most True-To-Self Album Yet, Review: Conway The Machine's 'From King To A GOD' Marks A Glow-Up For The Griselda Rapper.
Lots of trap drums. You ease my mind, you make everything feel. Because he does not provide great detail or context as to why he’s in dire need of salvation, it comes off as both grandiose and vacuous, which, at best, is just really fun to listen to. Not every full-length can recreate Vegas on acid. Scott’s second studio album, Birds in the Trap Sing McKnight, is the Houston rapper’s most concise and cohesive project to date. The second full-length studio release for the rapper is an Apple exclusive and features contributions from such artists as André 3000, Kid Cudi, Swizz Beatz, Blac Youngsta, Cassie, 21 Savage, Kendrick Lamar, Bryson Tiller, Young Thug, Quavo, The Weeknd, K. Forest and Nav. Here's a rundown of his recycling route: Now, if you got nit-picky with most major rap albums these days, you could find a few similar claims of unoriginality, but Travis seems to check every box of industry-accepted plagiarism.
There's that brief moment at the beginning of "First Take" when Travis' vocals levitate over a woozily minimal beat, its melancholic power erased as soon as he starts rapping and dropping "Lit!"
He embodies its ethos: take the artificial and common, then distort, re-contextualize, and exaggerate to make it something beautiful. Only on "Guidance," through scuttling drums granted by DF, is there a significant shake-up. Here, he’s basically DJ Khaled, flexing his Rolodex and claiming credit for the collective statement. Songs ran much longer than they needed, letting the vibes simmer until you realized they were trite. After the success of his debut album “Rodeo,” Travis Scott delivers grunge-trap and dark textures on his second studio album “Birds in the Trap Sing McKnight.” Heavily criticized as under-developed, the 24-year-old Scott establishes his place in the hip-hop scene with “Birds.” Despite appearances by big names like The Weeknd, Young Thug, Cassie, Kid Cudi,
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